The number four occurs mostly together this sus and tells that it is a suspended fourth chord. The chord B5 is instead telling us the chord only consist of the root and the fifth – another name for this chord could be Bno3. There are also some exceptions from this. The same is true about chords such as C6, C9, C11 and C13, in these cases the sixth, ninth, eleventh and thirteenth tone degrees respectively are added to the chord. The Cmaj7 chord, for example, is a C major chord extended with the seventh tone degree in the major scale (B). Very often the number indicate an extended note to a major or minor chord. It is easy to misunderstand the numerals and believe they stand for the number of notes sin the chord, for example, which is not the case. Numbers in chord names relates in general to scale degrees. Hm (H minor), for example, is identical with Bm (B minor). You may also see the letter H, which can occur in among music notations in some countries and is the same as B. This is indicated by a slash between the letter of the chord and the alternate bass note (e.g. A chord in root position is named after the bass note, but there are possible to play chords with alternative bass notes. There are seven different letters: A, B, C, D, E, F and G. The first part of a chord symbol consists of an uppercase letter, which indicate the root note in the chord. The most of existing names, symbols, suffixes and abbreviations will be explained in this guide.
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